{"id":1396,"date":"2023-10-26T12:10:49","date_gmt":"2023-10-26T09:10:49","guid":{"rendered":"https:\/\/nor-ijournal.com\/?p=1396"},"modified":"2023-11-01T14:20:20","modified_gmt":"2023-11-01T11:20:20","slug":"119-10","status":"publish","type":"post","link":"https:\/\/nor-ijournal.com\/ru\/2023\/10\/26\/119-10\/","title":{"rendered":"Ovdiichuk L. &#8211; THE STORY &#8220;HEART OF DARKNESS&#8221; BY JOSEPH CONRAD AND THE FILM OF F. COPPOLA &#8220;APOCALYPSE TODAY&#8221;: INTERMEDIA STUDIO"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1396\" class=\"elementor elementor-1396\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t<div class=\"has_eae_slider elementor-element elementor-element-174423c e-flex e-con-boxed jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-eae-slider=\"77134\" data-id=\"174423c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"has_eae_slider elementor-element elementor-element-e289846 e-con-full e-flex jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-eae-slider=\"22923\" data-id=\"e289846\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b5a0a35 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-heading\" data-id=\"b5a0a35\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">THE STORY \"HEART OF DARKNESS\" BY JOSEPH CONRAD AND THE FILM OF F. COPPOLA \"APOCALYPSE TODAY\": INTERMEDIA STUDIO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-863f119 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"863f119\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: right;\"><strong>Ovdiichuk<\/strong><strong>\u00a0L.<br \/><\/strong><em>professor and head of the department of Ukrainian<br \/><\/em><em>language and literature Private Higher Educational<br \/><\/em><em>Establishment &#8220;Academician Stepan Demianchuk International<br \/><\/em><em>University of Economics and Humanities&#8221;, Rivne, Ukraine<\/em><\/p><p><strong>Abstract<br \/><\/strong>The article presents a study of the novel &#8220;Heart of Darkness&#8221; and the film &#8220;Apocalypse Today&#8221; by F. Coppola using the tools of inter-art comparative studies. The author offers a tested method of comparing the story with the film interpretation according to the following structural elements: real events, title, plot, narrative, chronotope, main characters, genre, in the form of a table and generalization scheme. The conducted intermedial study made it possible to identify commonalities in artistic works at different levels of content and form, revealed the peculiarities and effectiveness of the comparative method.<\/p><p><strong>Keywords<\/strong><strong>:<\/strong> Inter-art comparative studies, transformational intermediality, intermedial analysis, genre, plot, main characters, prototypes, narratives.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-206ce67 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-pdfjs_viewer\" data-id=\"206ce67\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"pdfjs_viewer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe 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&#8220;HEART OF DARKNESS&#8221; BY JOSEPH CONRAD AND THE FILM OF F. COPPOLA &#8220;APOCALYPSE TODAY&#8221;: INTERMEDIA STUDIO Ovdiichuk\u00a0L.professor and head of the department of Ukrainianlanguage and literature Private Higher EducationalEstablishment &#8220;Academician Stepan Demianchuk InternationalUniversity of Economics and Humanities&#8221;, Rivne, Ukraine AbstractThe article presents a study of the novel &#8220;Heart of Darkness&#8221; and the film &#8220;Apocalypse Today&#8221; by F. Coppola using the tools of inter-art comparative studies. The author offers a tested method of comparing the story with the film interpretation according to the following structural elements: real events, title, plot, narrative, chronotope, main characters, genre, in the form of a table and generalization scheme. The conducted intermedial study made it possible to identify commonalities in artistic works at different levels of content and form, revealed the peculiarities and effectiveness of the comparative method. Keywords: Inter-art comparative studies, transformational intermediality, intermedial analysis, genre, plot, main characters, prototypes, narratives. Download article Download certificate Download full issue https:\/\/doi.org\/10.5281\/zenodo.10055038 https:\/\/scholar.google.com\/citations?view_op=view_citation&#038;hl=ru&#038;user=8HVJjYUAAAAJ&#038;sortby=pubdate&#038;authuser=3&#038;citation_for_view=8HVJjYUAAAAJ:sCWLdL-sCz8C<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[38],"class_list":["post-1396","post","type-post","status-publish","format-standard","hentry","category-49","tag-philols"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ovdiichuk L. - THE STORY &quot;HEART OF DARKNESS&quot; BY JOSEPH CONRAD AND THE FILM OF F. 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