{"id":1499,"date":"2023-11-13T12:03:30","date_gmt":"2023-11-13T09:03:30","guid":{"rendered":"https:\/\/nor-ijournal.com\/?p=1499"},"modified":"2023-11-21T13:12:37","modified_gmt":"2023-11-21T10:12:37","slug":"120-3","status":"publish","type":"post","link":"https:\/\/nor-ijournal.com\/ru\/2023\/11\/13\/120-3\/","title":{"rendered":"Hasanova L., Atakishizada G. &#8211; CLASS\u0130CAL MUS\u0130C \u0130N THE ORGAN\u0130C PH\u0130LOSOPHY PARAD\u0130GM: DETERM\u0130N\u0130NG THE FUTURE"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"1499\" class=\"elementor elementor-1499\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t<div class=\"has_eae_slider elementor-element elementor-element-174423c e-flex e-con-boxed jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-eae-slider=\"62601\" data-id=\"174423c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"has_eae_slider elementor-element elementor-element-e289846 e-con-full e-flex jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-eae-slider=\"31301\" data-id=\"e289846\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b5a0a35 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-heading\" data-id=\"b5a0a35\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">CLASS\u0130CAL MUS\u0130C \u0130N THE ORGAN\u0130C PH\u0130LOSOPHY PARAD\u0130GM: DETERM\u0130N\u0130NG THE FUTURE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-863f119 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"863f119\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: right;\"><strong>Hasanova L.<br \/><\/strong><em>Doctor of Philosophy<br \/><\/em><em>Azerbaijan State Pedagogical University<br \/><\/em><em>Department of Music and its Teaching Technology<\/em><\/p><p style=\"text-align: right;\"><strong>Atakishizada G.<br \/><\/strong><em>Lecturer<br \/><\/em><em>Azerbaijan State Pedagogical University<br \/><\/em><em>Department of Music and its Teaching Technology<br \/><\/em><em>Baku\/ Azerbaijan<br \/><\/em><a href=\"https:\/\/orcid.org\/0000-0002-5177-9101\"><strong>https:\/\/orcid.org\/0000-0002-5177-9101<\/strong><\/a><\/p><p><strong>Abstract<br \/><\/strong>The article treats the problem of preservation of classical music in the 21st century, with mechanistic and organic paradigms of understanding of classical musical art and creativity in general presented, specific characteristics of the organic philosophical paradigm existing in foreign and Russian intellectual traditions analyzed, and prospects of further studying of the organic paradigm allowing to restore the idea of integrity of classical pieces of music, to resolve the juxtaposition of the objective vs the subjective in art, to realize the need of creativity as an integral part of full-fledged life of future generations shown.<\/p><p>Will there be classical music, will it find its continuation in the work of subsequent generations? If European civilization and cultures that are subject to its centuries-old influence remain, then the traditions of classical music known to us will continue and develop. Firstly, classical music itself was studied and researched as it was at the basis of the subject.<\/p><p><strong>Keywords:<\/strong> attractiveness, art, classical music, culture, organic philosophy, paradigm, creativity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-206ce67 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-pdfjs_viewer\" data-id=\"206ce67\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"pdfjs_viewer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-src=\"https:\/\/nor-ijournal.com\/wp-content\/plugins\/pdf-viewer-for-elementor\/assets\/pdfjs\/web\/viewer.html?file=https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/11\/NJD_120-11-14.pdf&amp;embedded=true\" style=\"display: block; margin-left: auto; margin-right: auto; width: 770px; height: 1045px;\" frameborder=\"1\" marginheight=\"0px\" 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xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" viewbox=\"-.3 0 32 32\" version=\"1.1\" width=\"100%\" height=\"100%\" style=\"display:block;border-radius:999px;\" xml:space=\"preserve\"><g><path fill=\"#fff\" d=\"M18 14V8h-4v6H8v4h6v6h4v-6h6v-4h-6z\" fill-rule=\"evenodd\"><\/path><\/g><\/svg><\/span><\/a><\/div><div class=\"heateorSssClear\"><\/div><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>CLASS\u0130CAL MUS\u0130C \u0130N THE ORGAN\u0130C PH\u0130LOSOPHY PARAD\u0130GM: DETERM\u0130N\u0130NG THE FUTURE Hasanova L.Doctor of PhilosophyAzerbaijan State Pedagogical UniversityDepartment of Music and its Teaching Technology Atakishizada G.LecturerAzerbaijan State Pedagogical UniversityDepartment of Music and its Teaching TechnologyBaku\/ Azerbaijanhttps:\/\/orcid.org\/0000-0002-5177-9101 AbstractThe article treats the problem of preservation of classical music in the 21st century, with mechanistic and organic paradigms of understanding of classical musical art and creativity in general presented, specific characteristics of the organic philosophical paradigm existing in foreign and Russian intellectual traditions analyzed, and prospects of further studying of the organic paradigm allowing to restore the idea of integrity of classical pieces of music, to resolve the juxtaposition of the objective vs the subjective in art, to realize the need of creativity as an integral part of full-fledged life of future generations shown. Will there be classical music, will it find its continuation in the work of subsequent generations? If European civilization and cultures that are subject to its centuries-old influence remain, then the traditions of classical music known to us will continue and develop. Firstly, classical music itself was studied and researched as it was at the basis of the subject. Keywords: attractiveness, art, classical music, culture, organic philosophy, paradigm, creativity. Download article Download certificate Download full issue https:\/\/doi.org\/10.5281\/zenodo.10137774 https:\/\/scholar.google.com\/citations?view_op=view_citation&#038;hl=ru&#038;user=8HVJjYUAAAAJ&#038;sortby=pubdate&#038;authuser=3&#038;citation_for_view=8HVJjYUAAAAJ:lM7bPffmjyEC<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[26],"class_list":["post-1499","post","type-post","status-publish","format-standard","hentry","category-50","tag-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hasanova L., Atakishizada G. - CLASS\u0130CAL MUS\u0130C \u0130N THE ORGAN\u0130C PH\u0130LOSOPHY PARAD\u0130GM: DETERM\u0130N\u0130NG THE FUTURE<\/title>\n<meta name=\"description\" content=\"Methods for filtering the high-frequency component of an image were studied in the work. Based on the simulation results, it was found that a high-pass filter copes with this task most effec-tively: butterworth filter, which can quickly perform processing, and after its application the image retains a large informative component. Ideal and Gaussian high-frequency filters also showed ac-ceptable results; they are only slightly inferior in performance and preservation of the information content of image elements. 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