{"id":2952,"date":"2024-02-12T12:16:40","date_gmt":"2024-02-12T09:16:40","guid":{"rendered":"https:\/\/nor-ijournal.com\/?p=2952"},"modified":"2024-02-15T19:37:22","modified_gmt":"2024-02-15T16:37:22","slug":"126-16","status":"publish","type":"post","link":"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/","title":{"rendered":"Hajiyeva M. &#8211; SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"2952\" class=\"elementor elementor-2952\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t<div class=\"has_eae_slider elementor-element elementor-element-174423c e-flex e-con-boxed jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-eae-slider=\"5258\" data-id=\"174423c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"has_eae_slider elementor-element elementor-element-e289846 e-con-full e-flex jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-eae-slider=\"25082\" data-id=\"e289846\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b5a0a35 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-heading\" data-id=\"b5a0a35\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-863f119 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-text-editor\" data-id=\"863f119\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: right;\"><strong>Hajiyeva M.<br \/><\/strong><em>Ph.D. in Philology, Assoc. Prof.<br \/><\/em><em>Azerbaijan University of Languages<br \/><\/em>ORCID ID: <a href=\"https:\/\/orcid.org\/0000-0002-6922-4286\">https:\/\/orcid.org\/0000-0002-6922-4286<\/a><\/p><p><strong>Abstract<br \/><\/strong>This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work. Titled &#8220;Sounding Voices and Shifting Perspectives,&#8221; this study navigates the paradoxical terrain where a single narrative can be concurrently analyzed as both utopian and dystopian. With a keen focus on polyphony and heteroglossia, the paper unveils the dynamic nature of these narratives, which often defy conventional categorization.<br \/>The paper engages in a rigorous examination of literary and cinematic works that elicit dual interpretations, where utopian and dystopian visions coexist, weaving a tapestry of conflicting narratives. It dissects the multifaceted elements, characters, and thematic constructs within these narratives, unveiling the rich and complex layers of utopian and dystopian ideals.<br \/>This study also investigates how diverse voices and perspectives within a single narrative contribute to the simultaneous utopian and dystopian readings, shedding light on the inherent complexity and ambiguity of these visions. By analyzing how audiences grapple with cognitive dissonance when confronted with contradictory interpretations, this research unveils the broader cultural and psychological impact of such narratives.<br \/>The significant conribution of this research lies in its capacity to challenge conventional literary and cinematic analysis by unraveling the often-overlooked coexistence of utopian and dystopian elements in the same narrative. By embracing polyphony and heteroglossia as tools for understanding the intricate layers of these narratives, this study offers a fresh perspective on how literature and cinema continue to influence and provoke nuanced discussions on the nature of idealism and despair in contemporary society. In a world where optimism and pessimism often intersect, this research invites readers and scholars to explore the complexities of human imagination and the ever-shifting boundaries of utopian and dystopian thought.<\/p><p><strong>\u00a0<\/strong><strong>Keywords:<\/strong> literary studies, utopia, dystopia, ambiguity, dual interpretations<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-206ce67 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-pdfjs_viewer\" data-id=\"206ce67\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"pdfjs_viewer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe data-src=\"https:\/\/nor-ijournal.com\/wp-content\/plugins\/pdf-viewer-for-elementor\/assets\/pdfjs\/web\/viewer.html?file=https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126-83-88.pdf&amp;embedded=true\" style=\"display: block; margin-left: auto; margin-right: auto; width: 770px; height: 1045px;\" frameborder=\"1\" marginheight=\"0px\" marginwidth=\"0px\" allowfullscreen src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"has_eae_slider elementor-element elementor-element-6ecc5fe e-con-full e-flex jltma-glass-effect-no wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-eae-slider=\"93065\" data-id=\"6ecc5fe\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0eb8f5 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-image\" data-id=\"d0eb8f5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"618\" height=\"876\" src=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg\" class=\"attachment-large size-large wp-image-2998\" alt=\"NJD_126\" srcset=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg 618w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126-212x300.jpg 212w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126-8x12.jpg 8w\" sizes=\"(max-width: 618px) 100vw, 618px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9c17264 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-ha-creative-button happy-addon ha-creative-button\" data-id=\"9c17264\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"ha-creative-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div data-magnetic=\"no\" class=\"ha-creative-btn-wrap\">\n\t\t\t<a class=\"ha-creative-btn ha-stl--hermosa ha-eft--bloom\" href=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126-83-88.pdf\" target=\"_blank\"><div><\/div><span>Download article<\/span><\/a>\n\t\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eb4126d jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-ha-creative-button happy-addon ha-creative-button\" data-id=\"eb4126d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"ha-creative-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div data-magnetic=\"no\" class=\"ha-creative-btn-wrap\">\n\t\t\t<a class=\"ha-creative-btn ha-stl--hermosa ha-eft--bloom\" href=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/certificate-126-16.pdf\" target=\"_blank\"><div><\/div><span>Download certificate<\/span><\/a>\n\t\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7c3667e jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-ha-creative-button happy-addon ha-creative-button\" data-id=\"7c3667e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"ha-creative-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div data-magnetic=\"no\" class=\"ha-creative-btn-wrap\">\n\t\t\t<a class=\"ha-creative-btn ha-stl--hermosa ha-eft--bloom\" href=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.pdf\" target=\"_blank\"><div><\/div><span>\u0421\u043a\u0430\u0447\u0430\u0442\u044c \u043f\u043e\u043b\u043d\u044b\u0439 \u0432\u044b\u043f\u0443\u0441\u043a<\/span><\/a>\n\t\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-32f37a3 elementor-position-left elementor-vertical-align-top jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-image-box\" data-id=\"32f37a3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" width=\"471\" height=\"209\" data-src=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/doi-a.png\" class=\"attachment-full size-full wp-image-850 lazyload\" alt=\"\" data-srcset=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/doi-a.png 471w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/doi-a-300x133.png 300w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/doi-a-18x8.png 18w\" data-sizes=\"(max-width: 471px) 100vw, 471px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 471px; --smush-placeholder-aspect-ratio: 471\/209;\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\"><a href=\"https:\/\/doi.org\/10.5281\/zenodo.10655476\" target=\"_blank\">https:\/\/doi.org\/10.5281\/zenodo.10655476<\/a>\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ee4bc4e elementor-position-left elementor-vertical-align-top jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-image-box\" data-id=\"ee4bc4e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img decoding=\"async\" width=\"2000\" height=\"747\" data-src=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar.png\" class=\"attachment-full size-full wp-image-852 lazyload\" alt=\"\" data-srcset=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar.png 2000w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar-300x112.png 300w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar-1024x382.png 1024w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar-768x287.png 768w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar-1536x574.png 1536w, https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/scholar-18x7.png 18w\" data-sizes=\"(max-width: 2000px) 100vw, 2000px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 2000px; --smush-placeholder-aspect-ratio: 2000\/747;\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\"><a href=\"https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ru&amp;user=8HVJjYUAAAAJ&amp;sortby=pubdate&amp;authuser=3&amp;citation_for_view=8HVJjYUAAAAJ:UmJFWc0aipQC\" target=\"_blank\">https:\/\/scholar.google.com\/citations?view_op=view_citation&amp;hl=ru&amp;user=8HVJjYUAAAAJ&amp;sortby=pubdate&amp;authuser=3&amp;citation_for_view=8HVJjYUAAAAJ:UmJFWc0aipQC<\/a>\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-48c31e0 jltma-glass-effect-no exad-sticky-section-no exad-glass-effect-no elementor-widget elementor-widget-shortcode\" data-id=\"48c31e0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"heateor_sss_sharing_container heateor_sss_horizontal_sharing\" data-heateor-ss-offset=\"0\" data-heateor-sss-href='https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/'><div class=\"heateor_sss_sharing_ul\"><a aria-label=\"Facebook\" class=\"heateor_sss_facebook\" href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Facebook\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg\" style=\"background-color:#0765FE;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M28 16c0-6.627-5.373-12-12-12S4 9.373 4 16c0 5.628 3.875 10.35 9.101 11.647v-7.98h-2.474V16H13.1v-1.58c0-4.085 1.849-5.978 5.859-5.978.76 0 2.072.15 2.608.298v3.325c-.283-.03-.775-.045-1.386-.045-1.967 0-2.728.745-2.728 2.683V16h3.92l-.673 3.667h-3.247v8.245C23.395 27.195 28 22.135 28 16Z\"><\/path><\/svg><\/span><\/a><a aria-label=\"X\" class=\"heateor_sss_button_x\" href=\"https:\/\/twitter.com\/intent\/tweet?text=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA&url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"X\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_x\" style=\"background-color:#2a2a2a;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg width=\"100%\" height=\"100%\" style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M21.751 7h3.067l-6.7 7.658L26 25.078h-6.172l-4.833-6.32-5.531 6.32h-3.07l7.167-8.19L6 7h6.328l4.37 5.777L21.75 7Zm-1.076 16.242h1.7L11.404 8.74H9.58l11.094 14.503Z\"><\/path><\/svg><\/span><\/a><a aria-label=\"Twitter\" class=\"heateor_sss_button_twitter\" href=\"https:\/\/twitter.com\/intent\/tweet?text=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA&url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Twitter\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_twitter\" style=\"background-color:#55acee;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"-4 -4 39 39\"><path d=\"M28 8.557a9.913 9.913 0 0 1-2.828.775 4.93 4.93 0 0 0 2.166-2.725 9.738 9.738 0 0 1-3.13 1.194 4.92 4.92 0 0 0-3.593-1.55 4.924 4.924 0 0 0-4.794 6.049c-4.09-.21-7.72-2.17-10.15-5.15a4.942 4.942 0 0 0-.665 2.477c0 1.71.87 3.214 2.19 4.1a4.968 4.968 0 0 1-2.23-.616v.06c0 2.39 1.7 4.38 3.952 4.83-.414.115-.85.174-1.297.174-.318 0-.626-.03-.928-.086a4.935 4.935 0 0 0 4.6 3.42 9.893 9.893 0 0 1-6.114 2.107c-.398 0-.79-.023-1.175-.068a13.953 13.953 0 0 0 7.55 2.213c9.056 0 14.01-7.507 14.01-14.013 0-.213-.005-.426-.015-.637.96-.695 1.795-1.56 2.455-2.55z\" fill=\"#fff\"><\/path><\/svg><\/span><\/a><a aria-label=\"Linkedin\" class=\"heateor_sss_button_linkedin\" href=\"https:\/\/www.linkedin.com\/sharing\/share-offsite\/?url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Linkedin\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_linkedin\" style=\"background-color:#0077b5;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path d=\"M6.227 12.61h4.19v13.48h-4.19V12.61zm2.095-6.7a2.43 2.43 0 0 1 0 4.86c-1.344 0-2.428-1.09-2.428-2.43s1.084-2.43 2.428-2.43m4.72 6.7h4.02v1.84h.058c.56-1.058 1.927-2.176 3.965-2.176 4.238 0 5.02 2.792 5.02 6.42v7.395h-4.183v-6.56c0-1.564-.03-3.574-2.178-3.574-2.18 0-2.514 1.7-2.514 3.46v6.668h-4.187V12.61z\" fill=\"#fff\"><\/path><\/svg><\/span><\/a><a aria-label=\"Mail.ru\" class=\"heateor_sss_button_mail_ru\" href=\"https:\/\/connect.mail.ru\/share?share_url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Mail.Ru\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_mail_ru\" style=\"background-color:#356fac;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M19.975 15.894c-.134-2.542-2.02-4.07-4.3-4.07h-.086c-2.63 0-4.09 2.068-4.09 4.417 0 2.633 1.765 4.296 4.077 4.296 2.58 0 4.275-1.89 4.4-4.127l-.003-.515zm-4.37-6.346c1.755 0 3.407.776 4.62 1.993v.006c0-.584.395-1.024.94-1.024h.14c.85 0 1.025.808 1.025 1.063l.005 9.08c-.06.595.613.9.988.52 1.457-1.497 3.203-7.702-.907-11.295-3.83-3.352-8.967-2.8-11.7-.916-2.904 2.003-4.764 6.438-2.958 10.603 1.968 4.543 7.6 5.896 10.947 4.546 1.696-.684 2.48 1.607.72 2.355-2.66 1.132-10.066 1.02-13.525-4.972-2.338-4.046-2.212-11.163 3.987-14.85 4.74-2.822 10.99-2.042 14.762 1.895 3.937 4.117 3.705 11.82-.137 14.818-1.742 1.36-4.326.035-4.312-1.947l-.02-.647c-1.21 1.203-2.824 1.905-4.58 1.905-3.475 0-6.53-3.056-6.53-6.528 0-3.508 3.057-6.6 6.533-6.6\"\/><\/svg><\/span><\/a><a aria-label=\"Gmail\" class=\"heateor_sss_button_google_gmail\" href=\"https:\/\/mail.google.com\/mail\/?ui=2&view=cm&fs=1&tf=1&su=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA&body=Link:https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Google Gmail\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_Google_Gmail\" style=\"background-color:#e5e5e5;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M2.902 6.223h26.195v19.554H2.902z\"><\/path><path fill=\"#E14C41\" class=\"heateor_sss_no_fill\" d=\"M2.902 25.777h26.195V6.223H2.902v19.554zm22.44-4.007v3.806H6.955v-3.6h.032l.093-.034 6.9-5.558 2.09 1.77 1.854-1.63 7.42 5.246zm0-.672l-7.027-4.917 7.028-6.09V21.1zm-1.17-14.67l-.947.905c-2.356 2.284-4.693 4.75-7.17 6.876l-.078.06L8.062 6.39l16.11.033zm-10.597 9.61l-6.62 5.294.016-10.914 6.607 5.62\"><\/path><\/svg><\/span><\/a><a aria-label=\"Outlook.com\" class=\"heateor_sss_button_outlook_com\" href=\"https:\/\/mail.live.com\/default.aspx?rru=compose?subject=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA&body=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F&lc=1033&id=64855&mkt=en-us&cbcxt=mai\" title=\"Outlook.com\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_outlook_com\" style=\"background-color:#0072c6;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg width=\"100%\" height=\"100%\" style=\"display:block;border-radius:999px;\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"-4 -3.5 40 40\"><path fill=\"#fff\" d=\"M19.52 8.29v5.5l1.92 1.208c.053.016.163.016.212 0l8.27-5.574c0-.66-.613-1.134-.962-1.134h-9.44z\"\/><path fill=\"#fff\" d=\"M19.52 15.84l1.755 1.204c.246.183.543 0 .543 0-.297.183 8.104-5.397 8.104-5.397V21.75c0 1.102-.704 1.562-1.496 1.562H19.52V15.84z\"\/><g fill=\"#fff\"><path d=\"M10.445 13.305c-.6 0-1.073.282-1.426.842-.355.56-.53 1.305-.53 2.23 0 .936.175 1.677.53 2.22.347.546.813.82 1.38.82.59 0 1.055-.266 1.4-.795.344-.53.517-1.266.517-2.206 0-.984-.17-1.744-.502-2.288-.333-.55-.79-.823-1.37-.823z\"\/><path d=\"M2.123 5.5v21.51l16.362 3.428V2.33L2.123 5.5zm10.95 14.387c-.693.91-1.594 1.367-2.706 1.367-1.082 0-1.967-.442-2.65-1.324-.68-.88-1.02-2.03-1.02-3.448 0-1.496.343-2.707 1.037-3.63.693-.926 1.614-1.388 2.754-1.388 1.08 0 1.955.438 2.62 1.324.667.885 1 2.05 1 3.495.004 1.496-.345 2.695-1.034 3.604z\"\/><\/g><\/svg><\/span><\/a><a aria-label=\"Skype\" class=\"heateor_sss_button_skype\" href=\"https:\/\/web.skype.com\/share?url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Skype\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_skype\" style=\"background-color:#00aff0;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M27.15 18c-.007.04-.012.084-.02.126l-.04-.24.06.113c.124-.678.19-1.37.19-2.06 0-1.53-.3-3.013-.892-4.41a11.273 11.273 0 0 0-2.43-3.602 11.288 11.288 0 0 0-8.012-3.32c-.72 0-1.443.068-2.146.203h-.005c.04.023.08.04.118.063l-.238-.037c.04-.01.08-.018.12-.026a6.717 6.717 0 0 0-3.146-.787 6.67 6.67 0 0 0-4.748 1.965A6.7 6.7 0 0 0 4 10.738c0 1.14.293 2.262.844 3.253.007-.04.012-.08.02-.12l.04.238-.06-.114c-.112.643-.17 1.3-.17 1.954a11.285 11.285 0 0 0 3.32 8.012c1.04 1.04 2.25 1.86 3.602 2.43 1.397.592 2.882.89 4.412.89.666 0 1.334-.06 1.985-.175-.038-.02-.077-.04-.116-.063l.242.04c-.046.01-.088.015-.13.02a6.68 6.68 0 0 0 3.3.87 6.661 6.661 0 0 0 4.743-1.963A6.666 6.666 0 0 0 28 21.26c0-1.145-.295-2.27-.85-3.264zm-11.098 4.885c-4.027 0-5.828-1.98-5.828-3.463 0-.76.562-1.294 1.336-1.294 1.723 0 1.277 2.474 4.49 2.474 1.647 0 2.556-.893 2.556-1.808 0-.55-.27-1.16-1.355-1.426l-3.58-.895c-2.88-.723-3.405-2.282-3.405-3.748 0-3.043 2.865-4.186 5.556-4.186 2.478 0 5.4 1.37 5.4 3.192 0 .783-.677 1.237-1.45 1.237-1.472 0-1.2-2.035-4.163-2.035-1.47 0-2.285.666-2.285 1.618 0 .95 1.16 1.254 2.17 1.484l2.65.587c2.905.647 3.64 2.342 3.64 3.94 0 2.47-1.895 4.318-5.726 4.318z\"><\/path><\/svg><\/span><\/a><a aria-label=\"Whatsapp\" class=\"heateor_sss_whatsapp\" href=\"https:\/\/api.whatsapp.com\/send?text=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA%20https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Whatsapp\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg\" style=\"background-color:#55eb4c;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"-6 -5 40 40\"><path class=\"heateor_sss_svg_stroke heateor_sss_no_fill\" stroke=\"#fff\" stroke-width=\"2\" fill=\"none\" d=\"M 11.579798566743314 24.396926207859085 A 10 10 0 1 0 6.808479557110079 20.73576436351046\"><\/path><path d=\"M 7 19 l -1 6 l 6 -1\" class=\"heateor_sss_no_fill heateor_sss_svg_stroke\" stroke=\"#fff\" stroke-width=\"2\" fill=\"none\"><\/path><path d=\"M 10 10 q -1 8 8 11 c 5 -1 0 -6 -1 -3 q -4 -3 -5 -5 c 4 -2 -1 -5 -1 -4\" fill=\"#fff\"><\/path><\/svg><\/span><\/a><a aria-label=\"Viber\" class=\"heateor_sss_button_viber\" href=\"viber:\/\/forward?text=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA%20https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F\" title=\"Viber\" rel=\"nofollow noopener\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_viber\" style=\"background-color:#8b628f;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path d=\"M22.57 27.22a7.39 7.39 0 0 1-1.14-.32 29 29 0 0 1-16-16.12c-1-2.55 0-4.7 2.66-5.58a2 2 0 0 1 1.39 0c1.12.41 3.94 4.3 4 5.46a2 2 0 0 1-1.16 1.78 2 2 0 0 0-.66 2.84A10.3 10.3 0 0 0 17 20.55a1.67 1.67 0 0 0 2.35-.55c1.07-1.62 2.38-1.54 3.82-.54.72.51 1.45 1 2.14 1.55.93.75 2.1 1.37 1.55 2.94a5.21 5.21 0 0 1-4.29 3.27zM17.06 4.79A10.42 10.42 0 0 1 26.79 15c0 .51.18 1.27-.58 1.25s-.54-.78-.6-1.29c-.7-5.52-3.23-8.13-8.71-9-.45-.07-1.15 0-1.11-.57.05-.87.87-.54 1.27-.6z\" fill=\"#fff\" fill-rule=\"evenodd\"><\/path><path d=\"M24.09 14.06c-.05.38.17 1-.45 1.13-.83.13-.67-.64-.75-1.13-.56-3.36-1.74-4.59-5.12-5.35-.5-.11-1.27 0-1.15-.8s.82-.48 1.35-.42a6.9 6.9 0 0 1 6.12 6.57z\" fill=\"#fff\" fill-rule=\"evenodd\"><\/path><path d=\"M21.52 13.45c0 .43 0 .87-.53.93s-.6-.26-.64-.64a2.47 2.47 0 0 0-2.26-2.43c-.42-.07-.82-.2-.63-.76.13-.38.47-.41.83-.42a3.66 3.66 0 0 1 3.23 3.32z\" fill=\"#fff\" fill-rule=\"evenodd\"><\/path><\/svg><\/span><\/a><a aria-label=\"Telegram\" class=\"heateor_sss_button_telegram\" href=\"https:\/\/telegram.me\/share\/url?url=https%3A%2F%2Fnor-ijournal.com%2Fru%2F2024%2F02%2F12%2F126-16%2F&text=Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA\" title=\"Telegram\" rel=\"nofollow noopener\" target=\"_blank\" style=\"font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle\"><span class=\"heateor_sss_svg heateor_sss_s__default heateor_sss_s_telegram\" style=\"background-color:#3da5f1;width:35px;height:35px;border-radius:999px;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box\"><svg style=\"display:block;border-radius:999px;\" focusable=\"false\" aria-hidden=\"true\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"100%\" height=\"100%\" viewbox=\"0 0 32 32\"><path fill=\"#fff\" d=\"M25.515 6.896L6.027 14.41c-1.33.534-1.322 1.276-.243 1.606l5 1.56 1.72 5.66c.226.625.115.873.77.873.506 0 .73-.235 1.012-.51l2.43-2.363 5.056 3.734c.93.514 1.602.25 1.834-.863l3.32-15.638c.338-1.363-.52-1.98-1.41-1.577z\"><\/path><\/svg><\/span><\/a><a class=\"heateor_sss_more\" aria-label=\"More\" title=\"More\" rel=\"nofollow noopener\" style=\"font-size: 32px!important;border:0;box-shadow:none;display:inline-block!important;font-size:16px;padding:0 4px;vertical-align: middle;display:inline;\" href=\"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/\" onclick=\"event.preventDefault()\"><span class=\"heateor_sss_svg\" style=\"background-color:#ee8e2d;width:35px;height:35px;border-radius:999px;display:inline-block!important;opacity:1;float:left;font-size:32px!important;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;display:inline;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box;\" onclick=\"heateorSssMoreSharingPopup(this, 'https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/', 'Hajiyeva%20M.%20-%20SOUNDING%20VOICES%20AND%20SHIFTING%20PERSPECTIVES%3A%20POLYPHONY%20AND%20HETERO-GLOSSIA%20IN%20UTOPIAN%20AND%20DYSTOPIAN%20FICTION%20AND%20CINEMA', '' )\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" viewbox=\"-.3 0 32 32\" version=\"1.1\" width=\"100%\" height=\"100%\" style=\"display:block;border-radius:999px;\" xml:space=\"preserve\"><g><path fill=\"#fff\" d=\"M18 14V8h-4v6H8v4h6v6h4v-6h6v-4h-6z\" fill-rule=\"evenodd\"><\/path><\/g><\/svg><\/span><\/a><\/div><div class=\"heateorSssClear\"><\/div><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA Hajiyeva M.Ph.D. in Philology, Assoc. Prof.Azerbaijan University of LanguagesORCID ID: https:\/\/orcid.org\/0000-0002-6922-4286 AbstractThis research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work. Titled &#8220;Sounding Voices and Shifting Perspectives,&#8221; this study navigates the paradoxical terrain where a single narrative can be concurrently analyzed as both utopian and dystopian. With a keen focus on polyphony and heteroglossia, the paper unveils the dynamic nature of these narratives, which often defy conventional categorization.The paper engages in a rigorous examination of literary and cinematic works that elicit dual interpretations, where utopian and dystopian visions coexist, weaving a tapestry of conflicting narratives. It dissects the multifaceted elements, characters, and thematic constructs within these narratives, unveiling the rich and complex layers of utopian and dystopian ideals.This study also investigates how diverse voices and perspectives within a single narrative contribute to the simultaneous utopian and dystopian readings, shedding light on the inherent complexity and ambiguity of these visions. By analyzing how audiences grapple with cognitive dissonance when confronted with contradictory interpretations, this research unveils the broader cultural and psychological impact of such narratives.The significant conribution of this research lies in its capacity to challenge conventional literary and cinematic analysis by unraveling the often-overlooked coexistence of utopian and dystopian elements in the same narrative. By embracing polyphony and heteroglossia as tools for understanding the intricate layers of these narratives, this study offers a fresh perspective on how literature and cinema continue to influence and provoke nuanced discussions on the nature of idealism and despair in contemporary society. In a world where optimism and pessimism often intersect, this research invites readers and scholars to explore the complexities of human imagination and the ever-shifting boundaries of utopian and dystopian thought. \u00a0Keywords: literary studies, utopia, dystopia, ambiguity, dual interpretations Download article Download certificate Download full issue https:\/\/doi.org\/10.5281\/zenodo.10655476 https:\/\/scholar.google.com\/citations?view_op=view_citation&#038;hl=ru&#038;user=8HVJjYUAAAAJ&#038;sortby=pubdate&#038;authuser=3&#038;citation_for_view=8HVJjYUAAAAJ:UmJFWc0aipQC<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[38],"class_list":["post-2952","post","type-post","status-publish","format-standard","hentry","category-57","tag-philols"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA<\/title>\n<meta name=\"description\" content=\"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA\" \/>\n<meta property=\"og:description\" content=\"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/\" \/>\n<meta property=\"og:site_name\" content=\"NJD-iscience\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-12T09:16:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-15T16:37:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg\" \/>\n<meta name=\"author\" content=\"NJD-iScience\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u041d\u0430\u043f\u0438\u0441\u0430\u043d\u043e \u0430\u0432\u0442\u043e\u0440\u043e\u043c\" \/>\n\t<meta name=\"twitter:data1\" content=\"NJD-iScience\" \/>\n\t<meta name=\"twitter:label2\" content=\"\u041f\u0440\u0438\u043c\u0435\u0440\u043d\u043e\u0435 \u0432\u0440\u0435\u043c\u044f \u0434\u043b\u044f \u0447\u0442\u0435\u043d\u0438\u044f\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 \u043c\u0438\u043d\u0443\u0442\u044b\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/\"},\"author\":{\"name\":\"NJD-iScience\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#\\\/schema\\\/person\\\/2698fc6ff8f5eea1b3f20b14a145899c\"},\"headline\":\"Hajiyeva M. &#8211; SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA\",\"datePublished\":\"2024-02-12T09:16:40+00:00\",\"dateModified\":\"2024-02-15T16:37:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/\"},\"wordCount\":382,\"publisher\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/NJD_126.jpg\",\"keywords\":[\"Philological sciences\"],\"articleSection\":[\"126\"],\"inLanguage\":\"ru-RU\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/\",\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/\",\"name\":\"Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/NJD_126.jpg\",\"datePublished\":\"2024-02-12T09:16:40+00:00\",\"dateModified\":\"2024-02-15T16:37:22+00:00\",\"description\":\"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#breadcrumb\"},\"inLanguage\":\"ru-RU\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ru-RU\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#primaryimage\",\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/NJD_126.jpg\",\"contentUrl\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/NJD_126.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/2024\\\/02\\\/12\\\/126-16\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/nor-ijournal.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hajiyeva M. &#8211; SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#website\",\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/\",\"name\":\"NJD-iscience\",\"description\":\"Norwegian Journal of development of the International Science - ISSN 3453-9875\",\"publisher\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/nor-ijournal.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ru-RU\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#organization\",\"name\":\"NJD-iscience\",\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ru-RU\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/cropped-logo-1.png\",\"contentUrl\":\"https:\\\/\\\/nor-ijournal.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/cropped-logo-1.png\",\"width\":1108,\"height\":243,\"caption\":\"NJD-iscience\"},\"image\":{\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/nor-ijournal.com\\\/#\\\/schema\\\/person\\\/2698fc6ff8f5eea1b3f20b14a145899c\",\"name\":\"NJD-iScience\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ru-RU\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g\",\"caption\":\"NJD-iScience\"},\"sameAs\":[\"https:\\\/\\\/2023.nor-ijournal.com\"],\"url\":\"https:\\\/\\\/nor-ijournal.com\\\/ru\\\/author\\\/ad432mdfin45\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA","description":"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/","og_locale":"ru_RU","og_type":"article","og_title":"Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA","og_description":"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.","og_url":"https:\/\/nor-ijournal.com\/ru\/2024\/02\/12\/126-16\/","og_site_name":"NJD-iscience","article_published_time":"2024-02-12T09:16:40+00:00","article_modified_time":"2024-02-15T16:37:22+00:00","og_image":[{"url":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg","type":"","width":"","height":""}],"author":"NJD-iScience","twitter_card":"summary_large_image","twitter_misc":{"\u041d\u0430\u043f\u0438\u0441\u0430\u043d\u043e \u0430\u0432\u0442\u043e\u0440\u043e\u043c":"NJD-iScience","\u041f\u0440\u0438\u043c\u0435\u0440\u043d\u043e\u0435 \u0432\u0440\u0435\u043c\u044f \u0434\u043b\u044f \u0447\u0442\u0435\u043d\u0438\u044f":"3 \u043c\u0438\u043d\u0443\u0442\u044b"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#article","isPartOf":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/"},"author":{"name":"NJD-iScience","@id":"https:\/\/nor-ijournal.com\/#\/schema\/person\/2698fc6ff8f5eea1b3f20b14a145899c"},"headline":"Hajiyeva M. &#8211; SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA","datePublished":"2024-02-12T09:16:40+00:00","dateModified":"2024-02-15T16:37:22+00:00","mainEntityOfPage":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/"},"wordCount":382,"publisher":{"@id":"https:\/\/nor-ijournal.com\/#organization"},"image":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#primaryimage"},"thumbnailUrl":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg","keywords":["Philological sciences"],"articleSection":["126"],"inLanguage":"ru-RU"},{"@type":"WebPage","@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/","url":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/","name":"Hajiyeva M. - SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA","isPartOf":{"@id":"https:\/\/nor-ijournal.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#primaryimage"},"image":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#primaryimage"},"thumbnailUrl":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg","datePublished":"2024-02-12T09:16:40+00:00","dateModified":"2024-02-15T16:37:22+00:00","description":"This research paper embarks on a captivating exploration of the intricate interplay of utopian and dystopian elements within the same literary or cinematic work.","breadcrumb":{"@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#breadcrumb"},"inLanguage":"ru-RU","potentialAction":[{"@type":"ReadAction","target":["https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/"]}]},{"@type":"ImageObject","inLanguage":"ru-RU","@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#primaryimage","url":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg","contentUrl":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2024\/02\/NJD_126.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/nor-ijournal.com\/2024\/02\/12\/126-16\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/nor-ijournal.com\/"},{"@type":"ListItem","position":2,"name":"Hajiyeva M. &#8211; SOUNDING VOICES AND SHIFTING PERSPECTIVES: POLYPHONY AND HETERO-GLOSSIA IN UTOPIAN AND DYSTOPIAN FICTION AND CINEMA"}]},{"@type":"WebSite","@id":"https:\/\/nor-ijournal.com\/#website","url":"https:\/\/nor-ijournal.com\/","name":"NJD-iscience","description":"Norwegian Journal of development of the International Science - ISSN 3453-9875","publisher":{"@id":"https:\/\/nor-ijournal.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/nor-ijournal.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ru-RU"},{"@type":"Organization","@id":"https:\/\/nor-ijournal.com\/#organization","name":"NJD-iscience","url":"https:\/\/nor-ijournal.com\/","logo":{"@type":"ImageObject","inLanguage":"ru-RU","@id":"https:\/\/nor-ijournal.com\/#\/schema\/logo\/image\/","url":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/cropped-logo-1.png","contentUrl":"https:\/\/nor-ijournal.com\/wp-content\/uploads\/2023\/09\/cropped-logo-1.png","width":1108,"height":243,"caption":"NJD-iscience"},"image":{"@id":"https:\/\/nor-ijournal.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/nor-ijournal.com\/#\/schema\/person\/2698fc6ff8f5eea1b3f20b14a145899c","name":"NJD-iScience","image":{"@type":"ImageObject","inLanguage":"ru-RU","@id":"https:\/\/secure.gravatar.com\/avatar\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/648b5b744e4dce9f9e22218a3cdf47278102a0e31d905d12826b9073f5456643?s=96&d=mm&r=g","caption":"NJD-iScience"},"sameAs":["https:\/\/2023.nor-ijournal.com"],"url":"https:\/\/nor-ijournal.com\/ru\/author\/ad432mdfin45\/"}]}},"_links":{"self":[{"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/posts\/2952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/comments?post=2952"}],"version-history":[{"count":7,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/posts\/2952\/revisions"}],"predecessor-version":[{"id":3112,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/posts\/2952\/revisions\/3112"}],"wp:attachment":[{"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/media?parent=2952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/categories?post=2952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nor-ijournal.com\/ru\/wp-json\/wp\/v2\/tags?post=2952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}