{"id":3612,"date":"2024-03-26T12:11:26","date_gmt":"2024-03-26T09:11:26","guid":{"rendered":"https:\/\/nor-ijournal.com\/?p=3612"},"modified":"2024-04-04T20:57:52","modified_gmt":"2024-04-04T17:57:52","slug":"129-11","status":"publish","type":"post","link":"https:\/\/nor-ijournal.com\/ru\/2024\/03\/26\/129-11\/","title":{"rendered":"Vasylevych O. – PECULIARITIES OF POSTCOLONIAL GENERATIONAL CONSCIOUSNESS IN ARTEM CHEKH’S NOVEL “WHO ARE YOU?”"},"content":{"rendered":"
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PECULIARITIES OF POSTCOLONIAL GENERATIONAL CONSCIOUSNESS IN ARTEM CHEKH'S NOVEL \"WHO ARE YOU?\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vasylevych O.
<\/strong>PhD\u00a0 in Philology,
<\/em>Department of East Slavic Philology
<\/em>Institute of Philology
<\/em>Kyiv National Taras Shevchenko University,
<\/em>Kyiv, Ukraine
<\/em>orcid.org\/0000\u22120003\u22120877\u2212007X<\/em><\/p>

Abstract
<\/strong>The article proves that the study of the postcolonial generational consciousness of a young contemporary is the central\u00a0 task in Artem Chekh’s novel “Who are you? (Khto ty takiy?)”. The vectoriality of the author’s interpretation is demonstrated: from a single specific\u00a0 (and possibly autobiographical) self-consciousness – to a broad generalization, the depiction of the postcolonial consciousness of an entire generation. Specific features of the artistic embodiment of this goal are identified and studied: interpretation of the cultural crisis, new comprehension of history, the young generation of writers’ search for cultural identity, the value conflict between generations, and the beginning of the process of decolonization of generational thinking.<\/p>

Keywords<\/strong>: cultural generation, transitional culture, transitional thinking, “generation of the 1990s”, cultural identity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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