Hasanova L.
Doctor of Philosophy
Azerbaijan State Pedagogical University
Department of Music and its Teaching Technology

Atakishizada G.
Lecturer
Azerbaijan State Pedagogical University
Department of Music and its Teaching Technology
Baku/ Azerbaijan
https://orcid.org/0000-0002-5177-9101

Abstract
The article treats the problem of preservation of classical music in the 21st century, with mechanistic and organic paradigms of understanding of classical musical art and creativity in general presented, specific characteristics of the organic philosophical paradigm existing in foreign and Russian intellectual traditions analyzed, and prospects of further studying of the organic paradigm allowing to restore the idea of integrity of classical pieces of music, to resolve the juxtaposition of the objective vs the subjective in art, to realize the need of creativity as an integral part of full-fledged life of future generations shown.

Will there be classical music, will it find its continuation in the work of subsequent generations? If European civilization and cultures that are subject to its centuries-old influence remain, then the traditions of classical music known to us will continue and develop. Firstly, classical music itself was studied and researched as it was at the basis of the subject.

Keywords: attractiveness, art, classical music, culture, organic philosophy, paradigm, creativity.