Merezhinskaya A.
Doctor of Philological Sciences,
Department of East Slavic Philology
Institute of Philology
Kyiv National University named after Taras Shevchenko, Ukraine
Kyiv, Ukraine
https://orcid.org/0000-0002-2734-5741
Vasilevich E.
PhD in Philology,
Department of East Slavic Philology
Institute of Philology
Kyiv National University named after Taras Shevchenko,
Kyiv, Ukraine
orcid.org/0000−0003−0877−007X

Abstract
The article proves that Katya Petrovskaya’s novel “Maybe Esther” reflects the important features of the literature of the 2000s: interpretation of the cultural crisis, new understanding of history, and the search for cultural identity by the young generation of writers. These features are examined through the prism of the central theme of trauma. It is proved that trauma is investigated by the writer in the following perspectives: historical (totalitarian, catastrophic aspects), fate of the family, worldview of different generations, existential.

Keywords: trauma, memory, transitional thinking, “generation of the 1990s”, genre synthesis, cultural identity.

Lomova E.
Associate professor,
Kazakh national pedagogical university named after Abay
Maymakova A.
Candidate of philology, associate professor,
Kazakh national pedagogical university named after Abay,
Yessimbek S.
Master of Science, senior lecturer,
Kazakh national pedagogical university named after Abay,
Kovalenko E.
Lecturer’s assistant, University of Turan

Abstract
Anna Akhmatova’s poetry is a sincere confession about the history of the end of a love relationship, about the loss of freshness and sharpness of the first raptures with each other and the first intoxicating moments of mental and bodily unity of two people who joined their destinies. The basis of the plot rewrites of many poems by the Russian poetess is the analysis and memories of the experience of the farewell meeting and the final dramatic explanation. The source of inspiration for A.Akhmatova is the world around her with its worries, struggles, hopes and disappointments. In the mind of the poetess, the creative process is a fusion of external events and challenges of modernity and internal experience, focusing on a wise look at the past and present. A.Akhmatova’s voice loses the intimacy of the lyrical “I” and acquires the universality of the voice of an entire historical epoch. The personal events of the biography related to the arrest of his son and many friends are combined with the tragic pathos of the national.

Keywords: poetry, experience, dramatic explanation, creative process, an entire historical epoch, biography

 Bekisheva R.
Associate professor,
Kazakh national pedagogical university named after Abay
Lomova E.
Associate professor,
Kazakh national pedagogical university named after Abay
Kokenova Z.
Senior Lecturer,
Kazakh National Pedagogical University named after Abay
Bagymbayeva F.
Master of Science,
Kazakh national pedagogical university named after Abay

Abstract
Tsvetaev’s favorite punctuation mark is a dash, which creates the effect of a rapid change of large cinematic plans, as in the poem “Train of Life”: “Playground.// – And sleepers.-// And the extreme bush// In my hand.” In English, dashes are endowed with much more narrowed functions. Translators often reduce their number or completely replace them with other punctuation marks in order to avoid unnecessary artificial eccentricity of the poetic text. In her poetry, she confronts the melodious verse, in which there are anaphores, parallelism and a clear division into stanzas, with the techniques of colloquial speech, which is based on the logical and emotional division of the phrase. From the side of the lexical fullness of literary texts, M.Tsvetaeva freely combines high-style words with colloquial and colloquial, and in the field of syntax there are short phrases and long sentences, complicated by introductory constructions. Syntactic hyphenations have increased expression in Tsvetaev’s verse when.

Keywords: poetry, anaphores, parallelism, the techniques of colloquial speech, exical fullness of literary texts, syntactic hyphenations.

Gahraman A.
Doctor of Fil.Sc.,assoc.prof
Azerbaijan University of Languages
Foreign Literature department

Abstract
English fiction has a positive meaning as a self-sufficient phenomenon, beyond the interests of various political forces and socio-political discourse. In Russia, English literature naturally stimulates two reader reactions. As a purveyor of Western European liberal values, it consistently evokes admiration and irritation. But the self-sufficiency of this phenomenon determines its place in the history of world literature, no matter how it is perceived around the world.

Keywords: English literature, logocentrism, liberalism, democracy, world literature, value, influence